Wednesday, 27 May 2015

OUGD603. Extended Practice. PTSPD Yearbook: Visual Research into Tribal Aesthetics.

having had a brief meeting concerning the progression of the yearbook design and production we decided that me and jordan would take it upon ourselves to develop a display font to use in the publication that would work in line with the tribal basis of the course and book. i was also tasked with designing a range of symbols used to represent each section of the contents which would be carried throughout the publication as a content separation and visual introduction.

i began by collecting some visual research into tribal artwork, aesthetics, and line work.



tribe is viewed, historically or developmentally, as a social group existing before the development of, or outside of, states. A tribe is a distinct people, dependent on their land for their livelihood, who are largely self-sufficient, and not integrated into the national society. It is perhaps the term most readily understood and used by the general public. Stephen Corry, director of Survival International the world's only organisation dedicated to indigenous rights, has defined tribal people as "those which have followed ways of life for many generations that are largely self-sufficient, and are clearly different from the mainstream and dominant society."
http://en.wikipedia.org/wiki/Tribe




--- LIST OF TRIBES AROUND THE WORLD:

The Americas

Africa

Asia & Australasia

http://www.survivalinternational.org/tribes




--- TRIBAL AESTHETICS:



DIFFERENT TRIBES -

























TRIBAL PATTERNS - 


























MODERN TRIBAL AESTHETICS - 










CAVE PAINTINGS AND INSCRIPTIONS - 










i found quite an interesting article on the guardian website about the dating of cave paintings which had an explanatory video too. 

fresh analysis of the pictures by an Australian-Indonesian team has stunned researchers by dating one hand marking to at least 39,900 years old, and two paintings of animals, a pig-deer or babirusa, and another animal, probably a wild pig, to at least 35,400 and 35,700 years ago respectively.
Chris Stringer, head of human origins at the Natural History Museum in London, said: “These exciting discoveries allow us to move away from Eurocentric ideas on the development of figurative art to consider the alternative possibility that such artistic expression was a fundamental part of human nature 60,000 years ago, when modern humans not only occupied most of Africa but were beginning to disperse out towards Europe and the Far East.

























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